Follower of Raffaello Sanzio, called Raphael

The softwood panel is made up of three horizontal planks: the horizontal joins run along the Madonna's shoulder (invisible from the front) and across her knees (visible on and to the right of the Baptist). The panel is uncradled but a vertical baton has been inserted into the reverse. The reverse of the panel shows evidence of worm holes though this is no longer live. The panel has a convex bow. The paint surface is quite dirty and the varnish discoloured. Inspection under ultra violet light reveals scattered retouchings throughout with older retouchings on the Madonna's robe and Christ's legs. Although there are quite a few retouchings on the children, the Madonna has survived rather better. Offered in a later gilt wood and plaster frame which is rubbed and chipped to appear old but is structurally sound.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The figure of the infant Saint John the Baptist appears to derive from that in Raphael's La Belle Jardinière in the Musée du Louvre, Paris(inv. no. 602) although the overall composition appears to be the artist's own invention (see Hugo Chapman et al., Raphael: from Urbino to Rome, exh. cat., London, 2004, p. 43, fig. 27).