Placido Costanzi Rome 1702 - 1759

The silk has remained stable on the stretcher apart from a restored vertical scratch of approximately 15 cm to the right hand side. The paint surface is generally sound but is a little dirty and there are some scattered areas of discolouration. The lot is offered in a carved wooden frame in reasonable condition with a glass covering.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Placido Costanzi worked in the classical style of Carlo Maratta and studied for five years with Francesco Trevisani and then with Benedetto Luti. Although watercolours are rare in the artist's oeuvre, the figures can be compared to those in oil paintings by Costanzi such as The Angel with Hagar and Ishmael which was sold London, Sotheby's, 1 June 1989, lot 63, for £13,000.