Lot 63
  • 63

Attributed to Israel Silvestre the Younger Nancy 1621 - 1691 Paris

Estimate
5,000 - 7,000 GBP
bidding is closed

Description

  • Israel Silvestre the Younger
  • view of the 'ponte rotto', rome
  • black chalk, within black ink framing lines;
    bears inscription and attribution in black chalk, verso: Pont St Marie Rome /(visible sur une glasse Is. Silvestre)

Exhibited

Rotterdam, Kunsthal, European Master Drawings Unveiled, 2002, p. 239, cat. no. 108, reproduced

Condition

Framed. There are some very pale foxmarks, but these are only really visible in the upper part of the drawing, where the chalk is less dense, and are not particularly noticeable. Otherwise the sheet is in good condition, and the chalk is still strong.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The drawings of Israel Silvestre are usually executed in pen and ink, in a manner strongly reminiscent of Jacques Callot, but a few black chalk drawings by the artist are known, including a view of the fountain at Fontainebleau, formerly in the Woodner collection, which was engraved by Gabriel Perelle.1 The present drawing, which shares almost the exactly the same dimensions as the Fontainebleau view, is rather looser in execution, but is still close enough in overall conception to the works of Silvestre to suggest that that the traditional attribution should not be rejected. Silvestre travelled to Italy on various occasions between 1640 and 1653, and made numerous drawings and prints of Italian views such as this.  


1. Sold, London, Christie's, 2 July 1991, lot 147