- 78
Dougal McKenzie
Description
- Dougal McKenzie
- Dis-economies of Scale (they pretend to pay us, and we pretend to work)
- signed, titled and dated Dec. 2006 on the reverse
- oil on canvas, unframed
- 140 by 140cm.; 55 by 55in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Inspired by a recent interest in the history of the former Eastern Bloc, the imagery of the present work was taken from photographs which the artist's grandparents took on holiday in the USSR and Romania in the early 70s. The use of the vintage images within a contemporary context establishes a visual dialogue and narrative between past history and present reality. The organisational format of the 'circle within the square' also reminds the viewer of the peripheral vision with which we often view the world and invites the viewer to question the traditional rectilinear format of both photographs and paintings.
Born in Edinburgh, McKenzie studied at the Gray's School of Art, Aberdeen and the University of Ulster, Belfast. He has had solo shows at galleries such as the Compass Gallery, Glasgow; the Hunt Museum, Limerick and the Ashford Galleries, Royal Hibernian Academy, Dublin. In 2004, he was awarded the prestigious John Moore's Painting Prize in Liverpool.