- 27
Carolyn Mulholland, R.H.A.
Description
- Carolyn Mulholland, R.H.A.
- Figures Passing
- signed with initials, titled and dated 95
- bronze with brown patina
- Height: 42cm.; 16½in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The effect of movement generated by the passing figures in the present work who turn to face each other, relates to the artist's ongoing desire to look 'at things from a different point of view' and holds particular resonance in the present contemporary context.
Mulholland was born in Lurgan, Co. Armagh and studied at the Belfast College of Art. She has undertaken several major commissions including works for the Arts Council of Northern Ireland; the Dublin Sculpture Symposium; The Jefferson Smurfit Group, Dublin and a portrait of President Mary McAleese for the Office of Public Works completed in 2003. As well as solo exhibitions at Jorgensen Fine Art, Dublin and the Irish department of Foreign Affairs, Brussels, Mulholland shared a show with Basil Blackshaw at the Pepper Canister Gallery, Dublin in 2000. Seamus Heaney spoke at the opening of that exhibition and aptly concluded that, 'there has been a meditative intensity in her conduct and this is what produces the paradoxical sense of mystery and inevitability that distinguishes all her sculptures, large and small. A combination of spontaneity and strength, a feeling that there is indeed something to protect'.