Lot 366
  • 366

Kurt Schwitters

Estimate
150,000 - 200,000 USD
bidding is closed

Description

  • Kurt Schwitters
  • Z 57 ABSTRAKTION
  • Annotated Abstrakte Zeichnung 3 and Z 57 / Abstraktion. 80 M.7/We.W (on the reverse of the mount)
  • Charcoal on paper laid down on the artist's mount
  • 5 5/8 by 7 5/8 in.
  • 14.3 by 19.3 cm

Provenance

Estate of the artist
Ernst Schwitters, Lysaker (inherited from the above)
Marlborough Galerie AG, Zurich
Marlborough Fine Art, London
Private European Collection (acquired from the above on November 27, 1972 and sold: Sotheby's, New York, May 6, 2004, lot 109)
Acquired at the above sale by the present owner 

Exhibited

Stockholm, Konstsalongen Samlaren im Konstnärshuset; Copenhagen, Statens Museum fur Kunst und Kunstfreningen; London, Marlborough Fine Art; Cologne, Wallraf-Richartz-Museum und Kölnischer Kunstverein; Rotterdam, Museum Boymans-van Beuningen; Milan, Toninelli Arte Moderna; Rome, Marlborough Galleria d'Arte, Kurt MERZ Schwitters. 1887-1948. Retrospektivt/Schwitters/Kurt Schwitters: Schilderijen, collages, sculpturen, tekeningen, 1962-64, no. 15
University of California Los Angeles; New York, Marlborough-Gerson Gallery; Kansas City, Missouri, The Nelson-Atkins Museum of Art; Art Gallery of Toronto, Kurt Schwitters. Retrospective, 1965, no. 10
 Dallas Museum of Fine Arts; San Francisco Museum of Fine Art; City Art Museum of Saint Louis, Kurt Schwitters. A Retrospective Exhibition, 1965-66, no. 9
Düsseldorf, Städtische Kunsthalle; Berlin, Akademie der Künste; Staatsgalerie Stuttgart; Kunsthalle Basel; Kunstverein in Hamburg, Kurt Schwitters, 1971, no. 10
London, Marlborough Fine Art; Zürich, Marlborough Galerie; New York, Marlborough Gallery; Rome, Marlborough Galleria d'Arte; Vienna Museum des 20. Jahrhunderts, Kurt Schwitters, 1972-73, no. 6
New York, The Museum of Modern Art; London, Tate Gallery; Hanover, Sprengel Museum, Kurt Schwitters, 1985-86
 

Literature

John Elderfield, Kurt Schwitters, London, 1985, no. 17, illustrated p. 413
Dorothea Dietrich, The Collages of Kurt Schwitters: Tradition and Innovation, Cambridge, Massachusetts, 1993, no. 23, illustrated p. 57
Kim Behm, Nachkriegszeichnungen von Kurt Schwitters (1918-1923), Marburg, 1997, illustrated p. 15
Isabelle Ewig, Kurt Schwitters. Oxymore ou l'art de la contradiction, Paris, 2000, illustrated p. 375
Karin Orchard and Isabel Schulz, ed., Kurt Schwitters: Catalogue Raisonné 1905-1922, Bonn, 2000, no. 318, catalogued p. 148

Condition

Very good condition; not laid down; hinged to board at corners (board has a 1 inch stain and shows two generations of mat stains); glue/hinge stain visible at upper right and lower right corners; tiny dot of foxing upper right edge
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.