Lot 215
  • 215

Edgar Degas

Estimate
200,000 - 300,000 USD
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Description

  • Edgar Degas
  • Femme penchée sur une balustrade
  • With the atelier stamp (on the mount)

  • Charcoal on toned paper laid down on board
  • 20 1/4 by 31 3/4 in.
  • 51.4 by 80.6 cm

Provenance

The artist's studio
Bernheim Jeune, Paris
Sale: Hôtel Drouot, Paris, Collection of Léonce Mauger,  December 20, 1934, lot 17
Roland, Browse and Delbanco, London
Sale: Sotheby's, London, December 6, 1961, lot 17
Sale: Sotheby's. London, July 4, 1962, lot 53
Sale: Christie's, London, June 25, 1976, lot 55
Harrod's, London
Private Collection, Canada (acquired from the above in 1976)

Condition

In very good condition. The work is laid down on board. The surface is slightly dirty with a few scattered fox marks. The paper seems slightly time darkened.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

According the Galerie Brame et Lorenceau, the present work may be a preparatory study for the pastel, Trois Femmes aux Courses, in the collection of the Denver Art Museum, while a notation on the reverse relates the work to a pastel originally in the Charles Haviland Collection, Femmes Accoudées a une Balustrade (Sur le Bateau) (fig. 1).  Both views focus on women seen from behind, leaning eagerly towards the view beyond, whether from the railing a boat or at the racecourse.  Each of the works, including the present elegant figure in her fashionable dress and plumed hat, are indicative of Degas' fascination with female figures drinking in the new leisure pursuits afforded by a rapidly modernizing Paris of the late 19th century. 

Fig. 1, Edgar Degas, Femmes Accoudées à une Balustrade (Sur le Bateau), Private Collection