Lot 333
  • 333

Henri Lebasque

Estimate
120,000 - 180,000 GBP
bidding is closed

Description

  • Henri Lebasque
  • JEUNES FILLES DANS UN PAYSAGE PRĂˆS DE ST TROPEZ
  • signed H. Lebasque (lower right)

  • oil on canvas
  • 60.5 by 73.2cm., 2 3/4 by 28 3/4 in.

Provenance

Estate of Hilde Gerst, New York
Private Collection, Indiana (acquired from the above in 1972)

Condition

The canvas is not lined, there is an artist's tackhole to the bottom right corner and there are no signs of retouching visible under UV light. This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Painted in 1906-07 around the same time as Lebasque's first one-man exhibition at the renowned Galerie Georges Petit in Paris in 1907, the present work portrays a group of young women enjoying a summer day in the countryside near St. Tropez. The sitters are probably Lebasque's wife and two daughters, Marthe and Nono, whom he took great pleasure in painting whilst on holiday or at the beach. Probably painted en plein air, this work is a delightful souvenir of a pleasant family outing, capturing the spontaneity of a sun-filled moment through fresh and striking colours.

Lebasque's work at this time was strongly influenced by his acquaintance with Seurat and Signac, which resulting in his use of divisionist brushwork and colour theory. The swift and bright brushstrokes exemplify Lebasque's mastery of these new techniques, which he uses to create a scene of pastoral tranquillity. In discussing Lebasque's works, Lisa Banner notes that there, 'there is a sense of calm infused in Lebasque's paintings which celebrate the fullness and richness of life. In his placid scenes of gardens and beaches, terraces and dinner tables, Lebasque portrays his family in particular, but in such a way that he appeals to a larger sense of family gathering and devotion' (Lisa Banner, Lebasque, San Francisco, 1986, p. 12).