A FINE PORCELAIN PLAQUE BY WANG QI (1884-1937) DATED 1933

of rectangular form, finely and freely painted to the front face depicting the scene of 'Releasing the Crane from Gushan', dated and inscribed with three lines of calligraphy

The reverse of the plaque with a four-line calligraphic inscription suggesting the plaque was purchased in Nanjing in the 27th year of the Republic of China (1937).

D S Howard, A Tale of Three Cities: Canton, Shanghai and Hong Kong, Sotheby's London, 1997, no.357, p.259.

The plaque is in very good condition with the exception of some tiny flakes and nibbles around the outer edge.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Porcelain artists, released from Imperial restraints, developed their own styles based upon famous scroll painters of earlier periods. Eight of the leading artists formed a group, which although calling it 'The Full Moon Society', came to be known as the 'Eight Friends of Zushan'.

Wang Qi was the most outstanding porcelain painter of his day. This plaque is a fine example of his use of rapid and expressionistic brush strokes, as illustrated by the intense concentration on the face of the boy as he watches the release of the crane.