- 39
Roy Lichtenstein
Estimate
2,000,000 - 3,000,000 USD
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Description
- Roy Lichtenstein
- Metallic Brushstroke Head
- signed, numbered 4/6 and dated 1994 on the base
nickel plated bronze painted with enamel
- 83 x 24 1/2 x 24 1/2 in. 210.8 x 62.23 x 62.23 cm.
- Executed in 1994 this work is from an edition of 6 plus 2 artist's proofs.
Provenance
Estate of the artist
Bernard Jacobson Gallery, London
Acquired by the present owner from the above
Exhibited
Providence, Brown University, Lichtenstein Sculpture and Prints, September - October 2002, (edition 3/6)
New York, Mitchell-Innes & Nash; Zurich, de Pury and Luxembourg, Roy Lichtenstein: Brushstrokes, Four Decades, November 2001 - June 2002, (edition 3/6, Zurich only)
London, Bernard Jacobson Gallery, Roy Lichtenstein: Last Still Life and Other Works, March 2004
New York, Mitchell-Innes & Nash; Zurich, de Pury and Luxembourg, Roy Lichtenstein: Brushstrokes, Four Decades, November 2001 - June 2002, (edition 3/6, Zurich only)
London, Bernard Jacobson Gallery, Roy Lichtenstein: Last Still Life and Other Works, March 2004
Literature
Exh. Cat., Salzburg, The Galerie Thaddaeus Ropac, The Muse?: Transforming the Image of Woman in Contemporary Art, 1995, p. 96, illustrated in color (edition unknown)
Exh. Cat., Washington, D.C., The Corcoran Gallery of Art (and traveling), Roy Lichtenstein: Sculpture & Drawings, 1999, p. 180, no. 137, illustrated in color (edition unknown)
Exh. Cat., London, Gagosian Gallery (and traveling), Roy Lichtenstein: Sculpture, 2005, p. 99, illustrated in color (AP 2/2)
Judith H. Dobrzynski, "In Search of"the Unknown Roy"," ARTNews, May 2006, p. 60, illustrated in color (installation shot, edition unknown)
Exh. Cat., Washington, D.C., The Corcoran Gallery of Art (and traveling), Roy Lichtenstein: Sculpture & Drawings, 1999, p. 180, no. 137, illustrated in color (edition unknown)
Exh. Cat., London, Gagosian Gallery (and traveling), Roy Lichtenstein: Sculpture, 2005, p. 99, illustrated in color (AP 2/2)
Judith H. Dobrzynski, "In Search of"the Unknown Roy"," ARTNews, May 2006, p. 60, illustrated in color (installation shot, edition unknown)
Condition
This sculpture is in very good condition overall. The pigment appears free of scratches or losses. There are a few scattered pale traces of handling and rubs toward the outer edges of the following areas, generally appearing on both sides: the blue pigment of the ``nose'', the middle blue wave of hair, the upper wave of the blue hair and the two blue bottom points of the hair. There are a few similar linear rubs on the right upper corner of the red ``lips''. On the crest of the blue ``bangs'' there are faint whitish vertical linear marks near where the blue meets the aluminum/red dot ``face'' and a small whitish dot toward the outer edge of the front crest of ``bangs'', 4 inches down from the top. In the upper area of the white pigment to the left of the blue nose, there are very faint traces of fingerprints.
The conical base shown in the catalogue illustration allows the sculpture to rotate. However, it is not original to the work and is not attached to the sculpture.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.