- 581
Zhang Huan
Estimate
40,000 - 60,000 USD
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Description
- Zhang Huan
- My New York
- signed, dated 2002 and numbered 1/8 on a label affixed to the reverse
- Chromogenic print
- 40 by 59 in. 101.6 by 149.9 cm.
Provenance
Private Collection, New York
Condition
This work is in very good condition. There are no apparent condition problems with this work. Framed under Plexiglas. Not examined out of the frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Zhang Huan created My New York in 2002 as part of that year's Whitney Biennial. For this work he was covered with a white cloth and carried out to the museum courtyard on a palanquin. The cloth was removed to reveal the artist draped in raw steaks, which gave Zhang Huan's slight physique the appearance of pumped-up bodybuilder. Set down on the ground, he began to walk through the crowd and distribute white doves to various bystanders, who set them free. After crossing the street and circling the museum, Zhang Huan disappeared back into the museum, signaling the end of the performance. My New York brought together several ideas. The steak suit created a protective shell that gave Zhang Huan a formidable presence. However, its raw red surface also suggested a flayed body and reduced the artist to an almost animal-like condition. The doves, a symbol of reconciliation and liberation, referenced the Buddhist tradition of setting live animals free to accumulate grace. Thus for Zhang Huan, this work again summed up a series of mixed feelings about his complex relationship to his adopted city.
Eleanor Heartney (Exh.Cat., New York, Asia Society, Zhang Huan: Altered States, 2007, n.p.)
Eleanor Heartney (Exh.Cat., New York, Asia Society, Zhang Huan: Altered States, 2007, n.p.)