- 559
Gerhard Richter
Description
- Gerhard Richter
- Abstraktes Bild (454/2)
- signed, dated 1980 and numbered 454/2 on the reverse
- oil on canvas
- 19 3/4 by 27 1/2 in. 50 by 70 cm.
Provenance
Private Collection, Germany
Salis & Vertes Gallery, Salzburg
Acquired by the present owner from the above
Exhibited
Literature
Angelika Thill, et. al., Gerhard Richter Catalogue Raisonné: 1962-1993, Vol. III, Osternfildern - Ruit, 1993, no. 454-2, illustrated in color
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Through the process of destruction, Gerhard Richter created the dense layers of brilliant colors that form Abstraktes Bild. Moving away from the liberated qualities found in his earlier experiments with abstract compositions, here Richter becomes more focused and controlled, diving deeper into his fascination with the process of painting. Throughout his career, Richter has attempted to expand his mastery over the mechanics of oil paint. He does not begin his abstract paintings with any pre-conceived notion or idea of what he will achieve. Rather, each painting in the Abstraktes Bild series is an experiment with the medium of oil paint and application technique. It is as if Richter is more interested in seeing what the paint can create rather than what he can create. Using a squeegee to apply paint, Richter relinquished total control over his media and imparts his tools with the power to generate fresh and surprising interactions. In Abstraktes Bild, Gerhard Richter is not concerned with the expression of an abstract form, he is concerned with the very process of painting itself. The variety of interactions and beautiful undulation of color, showcase Richter's ability to balance the art of control and the element of chance.