- 502
Yang Shaobin
Estimate
60,000 - 80,000 USD
Log in to view results
bidding is closed
Description
- Yang Shaobin
- Untitled
- signed and dated 1997.10; signed and dated 1997.10 on the reverse
- oil on canvas
- 21 5/8 by 27 1/2 in. 55 by 70 cm.
Provenance
Galerie Serieuze Zaken, Amsterdam
Acquired by the present owner from the above
Condition
This work is in good condition. There is a light impression in the canvas at the left edge, approximately 7 in. from the bottom. There is a faint stretcher bar impression in the canvas, with extremely fine associated craquelure. Otherwise, there are no apparent condition problems with this work.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
[Yang Shaobin's] paintings record the destruction of the sense of shame, an intention to enable the appearance to reach the nerve system, more violently and poignantly. Daozi (Exh. Cat., Venice Biennale, 1999, p. 206)