Lot 8
  • 8

Bouddha debout en bronze Thailande, XIXe siècle ou antérieur

Estimate
20,000 - 25,000 EUR
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Description

modelé dans le style d'Ayuthya, représenté de face, les deux mains en abhaya mudrâ dans un geste de protection et d'absence de crainte, les yeux mi-clos, le visage serein, les oreilles pendantes, la protubérance crânienne usnîsa surmontée d'une flamme, vêtu d'une dhoti tenue par une large ceinture retombant en un pli jusqu'aux chevilles, une cape couvrant le dos, les épaules et le torse découverts

Condition

The sculpture is made in several sections assembled together, but all original to the piece. The bronze bears a fine patina. Some cracks and folds (more than on lot n° 9), the most visible to the reverse around its neck, another behind the feet. Expected pitting to the surface. The pupiles possibly replaced. Traces of gilt lacquer remaining. Please use the zoom feature on our website at www.sothebys.com/ browse catalogue to closely inspect the surface texture of the sculpture.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Vers la fin du XVIIIe siècle, à la chute du royaume d'Ayuthya causé par les conquêtes birmanes, le Siam est réunifié et une nouvelle capitale est  fondée sur la rive de la Chao Phraya, elle donne son nom à cette période dite 'de Bangkok'. Les premiers roi de la dynastie Chakri, Rama I, II et III s'inspire du dernier style d'Ayuthya pour développer la statuaire bouddhique. Les lignes sont toujours sinueuses et l'allure très digne et impassible.