DEAF TOMMY MUNGATOPI

Most probably painted on Melvile Island circa 1967
Private collection

There are minor areas of pigment loss though most of the pigment appears stable. There are areas of very fine cracks and a larger crack to the lower left. Some restoration to the lower right.
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Cf. For similar contemporaneous paintings by the artist in the collection of the Museum and Art Gallery of the Northern Territory, see Moon, morning and evening stars, in Barnes, K., Kiripapurajuwi (Skills of Our Hands): Good Craftsman and Tiwi Art, Kathy Barnes, Darwin, 1999, p.43, illus.; and Sun shining on a coral reef, c.1970, in Crumlin, R. and A. Knight, Aboriginal Art and Spirituality, Dove
Publications, Melbourne, 1995, p.23, plate 4, illus.; the latter work also in Holmes,S. Le Brun, The Goddess and the Moon Man: The Sacred Art of the Tiwi Aborigines, Craftsman House, Sydney, 1995, p.118, illus. under the title Full moon reflected in the sea in the country of Purakapali

The image in the painting, as with the Northern Territory Museum paintings and contemporaneous paintings of the same subject by the artist in the collection of the National Gallery of Australia, is an evocative interpretation of light reflecting off the coral reefs on the eastern side of Melville Island where the ancestral drama of the coming of death amongst the Tiwi was played out. Here Purukupali the apical male ancestor carried his dead infant son out to sea and
drowned. The coral reefs are also the domain of Tiwi women as they collect shellfish found on the reefs at low tide (see Caruana,W., Aboriginal Art, World of Art Series, Thames and Hudson, London and New York, 2003, p.93)

The artist is represented in most major public collections in Australia, including those mentioned above and the Art Gallery of Western Australia, Art Gallery of South Australia, the National Museum of Australia and the Australian Museum