John Craxton, R.A.

Executed in watercolour, gouache and ink, on card. There is discolouration visible to the edge of the paper, especially down the right hand side. There are some spots of staining, including a spot of foxing to the upper edge, and water staining in an area to the lower edge. There are further water marks in the green areas which are consistent with the artist's hand. There are scuff marks to the surface including minor scratches. Held in a wooden frame, behind glass and unexamined out of the frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present work was the last in a series of willow paintings begun by Craxton when he stayed near Cambridge in 1943. The anthropomorphic appearance of the willows fascinated Craxton who used some of the works as illustrations for his anthology, The Poet's Eye.