Lot 286
  • 286

Georges de Feure French, 1868-1943

Estimate
20,000 - 30,000 GBP
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Description

  • Georges de Feure
  • Elegante pres d'une Source
  • signed de Feure l.l.

  • gouache and watercolour on paper

  • 59 by 43cm., 23¼ by 17in.

Provenance

S. Joel Schur, Paris
Sale: De Quay & Lombrail, Paris, 29 March 1995, lot 29 

Exhibited

Osaka & Tokyo, The Yomiuri Shimbun, 1990, no. 52, p. 49, illustrated

Literature

Jan Millman, Georges de Feure, maitre du Symbolisme et de l'Art Nouveau, Paris, 1992, p. 213, illustrated

Condition

Executed on wove paper. There are some faint scratches visible on close inspection around the dog, otherwise the work is in good overall condition and the colours remain bright. Held under glass in a simple gilt wood frame with a gilt slip. Unexamined out of the frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

De Feure was one of the most elegant symbolist painters. Like Mucha (lot 294) de Feure's poster designs, book illustrations and graphic work for journals and magazines played an important part in the development of the Art Nouveau style.

De Feure collaborated with Gaillard and Colonna on the decoration of the Art Nouveau pavilion at the Paris Exposition Universelle. As a painter and watercolourist he exhibited at Le Barc de Boutteville (1892), the Salon de la Rose + Croix (1893 & 1894), the Galerie des Artistes Modernes (1894) and from 1894 onwards at the exhibitions of the Société Nationale des Beaux-Arts.