Jean-Jacques, called James Pradier Swiss, 1790-1852

Overall the condition of the bronze is very good with some minor wear to the patina consistent with age.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present model of a reclining female figure epitomises Pradier's invention.  The slim yet soft contour of the woman's form is typical of with Pradier's nudes and her tightly secured hair is reminiscent of his standing Phyrne.  The title of this model, Dolce Far Niente, as well as the putti that surround her, however, are believed by H. W. Janson to be additions by the foundry.  As much was made in the 19th century of James Pradier's loose morals, adding a titliating title and supplanting his classical nude into the context of a bachante would have only made the model more appealing to many late 19th-century collectors.

RELATED LITERATURE
Fusco & Janson (1980), pp. 318-9, no.180; Statues de chair, pp. 72, 127, no. R290