Albert-Ernest Carrier-Belleuse French, 1824-1887

Overall the condition of the terracotta is very good. There are some minor chips. There is greening throughout, likely from the now lost gilding. There is an old collection label on the socle.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Carrier-Belleuse sought inspiration in the work of Jean Goujon and the French Renaissance for many of his decorative designs. The present bust illustrates his use of Renaissance - derived motifs for his fantasy busts, which were eagerly acquired by the haute-bourgeoisie for domestic decoration. Carrier-Belleuse executed a series of busts of woman with elaborate diadems in their hair, including lot no. 39 and hist portrait of Marguerite (Hargrove pl. 75).  A bust called Diademe was offered in his sale of 1887.

RELATED LITERATURE
Lami, vol. 1, p. 284