Emmanuel Fremiet French, 1824-1910

The bronze is in good condition. Minor wear to patina consistent with age. her left stirrup has become detached. Flag is loose as is left rein and crown. There is surface dirt.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

When Bartlett asked Frémiet if he had foreseen the popularity of Joan of Arc he replied: `No, though I thought some would like it, but I was in despair when the public so generally cursed it. When it began to be appreciated, and the small copies commenced, I felt comforted'. By 1891, the sculptor presumably also felt somewhat richer, because the small copies began to be highly sought after.

The history of the statue, which today stands in the Place des Pyramides, Paris, reflects the struggle, determination and eventual reward of so many of Frémiet's public commissions. Although initially the design provoked much bitter criticism, it was generally admired by his fellow artists, including in particular his close friend Gérôme. 

RELATED LITERATURE
Chevillot pp.126-9, S243; Bartlett vol.31, no.796, pp.202-3, no.801, pp.70-2