- 23
A fine Songhua inkstone, box and cover carved mark and period of Qianlong
Description
Provenance
Sotheby's Hong Kong, 17th November 1988, lot 250.
Catalogue Note
Songhua stone, for its colour, quality and ease of grinding the ink, was one of the preferred stones for making inkstones for the scholar's table during the Qing dynasty. Chi Jo-hsin in 'A study of the Sunghua Inkstone Tradition', Special Exhibition of Sunghua Inkstone, National Palace Museum, Taipei, 1993, p. 38, notes that 'during the Qianlong period, an inventory of inkstones in the Imperial Household was compiled. Of the more than two hundred entries in the Hsi-ch'ing-yen-pu which is part of the Ssu-k'u-ch'üan-shu, six sunghua inkstones with imperial reign marks of the K'ang-hsi, Yung-cheng and Ch'ien-lung periods are recorded, five of which are in the collection of the National Palace Museum.'
Design on inkstones often imitated fine paintings and it is known that the Qianlong emperor commissioned his court painters to design the lids of many of his inkstones. Shapes of the inkpool and cover also became more varied during the Qianlong emperor's reign, during which time new shapes in the form of peaches, crescent-moons and flowers were introduced alongside the traditional circular, octagonal and oblong shapes.
It is rare to find Songhua inkstones decorated with figures although two Qianlong inkstones were included ibid., pls. 56 and 69, the former carved with an official and his attendant about to cross a bridge and the latter carved with a fisherman under the moon. See also lot 149 in this catalogue for another superbly carved Songhua inkstone and the companion to the present piece.