The Doros Collection: The Art Glass of Louis Comfort Tiffany

The Doros Collection: The Art Glass of Louis Comfort Tiffany

View full screen - View 1 of Lot 350. "Devitrified" Exhibition Vase.

Tiffany Studios

"Devitrified" Exhibition Vase

No reserve

Auction Closed

June 7, 10:21 PM GMT

Estimate

800 - 1,200 USD

Lot Details

Description

Tiffany Studios

"Devitrified" Exhibition Vase


circa 1927

Favrile glass

engraved L.C. Tiffany Favrile 1927 Exhibition Piece

4¼ in. (10.8 cm) high

Arthur J. Nash, New York
Leslie H. Nash, New York
Private Collection
Sotheby's New York, November 19, 1983, lot 717
Walt Nagorski, Overland Park, Kansas, 1989
Martin Eidelberg and Nancy A. McClelland, Behind the Scenes of Tiffany Glassmaking: The Nash Notebooks, New York, 2001, pp. 52 and 85 (for the present lot illustrated)
Paul Doros, The Art Glass of Louis Comfort Tiffany, New York, 2013, p. 215 (for the present lot illustrated)

Textural Fusion: The "Devitrified" Vase


The highly unusual “Devitrified” technique was developed very late in Tiffany Furnaces’ history. Louis Tiffany was no longer actively participating in the company’s production after 1919 and his role was assumed by A. Douglas Nash and his brother Leslie, both sons of Arthur Nash, the glasshouse’s original and long-time superintendent. Additionally, most of the original glassworkers had either died or left the firm. The Nash brothers attempted new decorative methods to fill the void and “Devitrified” glass was one of those efforts. Leslie Nash claimed credit for the technique and vaguely explained the use of “semi-crystallized” glass to create the unusual texture. In actuality, the visually striking effect was probably created by inserting glass shards into the vase’s interior while it was still hot and on the pontil rod and then placed briefly into the glory hole to fuse the shards to the body.


- PD