Arts of the Islamic World and India

Arts of the Islamic World and India

View full screen - View 1 of Lot 68. A large illuminated volume from a six-volume Qur'an in Maghribi script, North Africa, early 19th century.

A large illuminated volume from a six-volume Qur'an in Maghribi script, North Africa, early 19th century

Auction Closed

April 24, 03:45 PM GMT

Estimate

18,000 - 25,000 GBP

Lot Details

Description

Arabic manuscript on watermarked paper, 176 leaves, plus 3 fly-leaves, 9 lines to the page written in bold Maghribi in brown ink, diacritics in yellow, green, blue and red, verses separated by yellow interlaced drop markers, further text divisions marked by marginal devices, surah headings in yellow Kufic within a panel flanked by a polychrome marginal medallion, opening bifolio with two polychrome illuminated panels, final leaf with a further illuminated panel, in red-stamped leather binding, with flap

37.1 by 31cm.

Developments in Qur’an production in North Africa were relatively conservative and many of the manuscripts of the later period show clear affinity with their thirteenth/fourteenth century forebears. The prevailing style is shown through the continuation of the bold Maghribi script which contrasts with Kufic surah headings flanked by marginal medallions, and the drop-shaped verse markers. The above all feature on a fourteenth/fifteenth century Qur’an published in Sam Fogg, Islamic Calligraphy, 2005, pp.72-73; a sixteenth/seventeenth century juz’ sold in these rooms, 25 April 2012, lot 411, and the present manuscript. The large size of the leaves also relates to the earlier tradition, see for example, a Qur’an leaf from a well-known Qur’an in Maghribi script on pink paper in the present sale (lot 18).


Qur’ans produced in North Africa are most frequently ascribed to Morocco, with a handful attributed to other centres largely on the basis of endowment inscriptions, see, for example, an Algerian Qur’an sold in these rooms, 25 October 2023, lot 1. A fifteenth/sixteenth century example attributed to Libya, displaying a comparably dark purplish-red pigment in the colouration of the illumination is in the Biblioteca Ambrosiana. Given the similarities in the colouration of the two manuscripts, it is possible that this Qur’an section was also produced in one of the lesser studied centres of North African manuscript production.