Japanese Woodblock Prints

Japanese Woodblock Prints

View full screen - View 1 of Lot 36. Utagawa Hiroshige (1797-1858) | Sudden Shower over Shin-Ohashi Bridge and Atake (Ohashi Atake no yudachi) | Edo period, 19th century.

The Property of an English Family

Utagawa Hiroshige (1797-1858) | Sudden Shower over Shin-Ohashi Bridge and Atake (Ohashi Atake no yudachi) | Edo period, 19th century

Lot Closed

July 18, 01:34 PM GMT

Estimate

15,000 - 20,000 GBP

Lot Details

Description

The Property of an English Family

Utagawa Hiroshige (1797-1858)

Sudden Shower over Shin-Ohashi Bridge and Atake (Ohashi Atake no yudachi)

Edo period, 19th century

 

woodblock print, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), signed Hiroshige ga (Pictured by Hiroshige), censor’s seal aratame (examined), published by Uoya Eikichi, 9th month 1857

 

Vertical oban: 35.5 x 24.5 cm., 14 x 9⅝ in. 

Sudden Shower over Shin-Ohashi Bridge and Atake is one of Hiroshige’s most famous designs and is universally appreciated as the masterpiece of the series One Hundred Famous Views of Edo. Dense black clouds have gathered in the sky and are releasing a heavy summer downpour of rain onto the landscape beneath. Pedestrians crossing the bridge hurry off, huddled under umbrellas or straw capes. A solitary boatman guides his raft of logs along the river beyond. The bridge is Ohashi which crossed the Sumida River and along the far riverbank are the Shogunal storehouses at Atake.


After Japan opened its borders in 1858, Hiroshige’s prints soon saw popularity amongst the Impressionists in Europe. The artist Vincent van Gogh (1853-1890) was a collector of Japanese prints and greatly admired Hiroshige. His fascination with the artist culminated in two oil on canvas renderings based on two of Hiroshige’s prints from the One Hundred Views of Edo series: Plum Estate, Kameido and Sudden Shower over Shin-Ohashi Bridge and AtakeBridge in the Rain (after Hiroshige) was executed exactly thirty years after the original work was published and embellishes the original design with a border ornamented with decorative kanji characters. For van Gogh, Japan occupied a utopian place within his imagination; it was the land depicted in woodblock prints unmarked by shadows and radiant with light and colour, and in his rendition the colours are noticeably more emboldened.


For the oil on canvas in the collection of the van Gogh Museum, Amsterdam, object number s0114V1962, go to:

https://www.vangoghmuseum.nl/en/collection/s0114V1962


For van Gogh’s impression of Sudden Shower over Shin-Ohashi Bridge and Atake in the collection in the van Gogh Museum, Amsterdam, object number n0081V1962, go to:

https://www.vangoghmuseum.nl/en/japanese-prints/collection/n0081V1962


For another impression of the same print in the collection of the Minneapolis Institute of Art, accession number P.75.51.411, go to:

https://collections.artsmia.org/art/61146/evening-shower-over-hashi-bridge-and-atake-utagawa-hiroshige