Important Works from the Najd Collection, Part II

Important Works from the Najd Collection, Part II

View full screen - View 1 of Lot 113. LUDWIG DEUTSCH | THE PALACE GUARD.

LUDWIG DEUTSCH | THE PALACE GUARD

This lot has been withdrawn

Lot Details

Description

LUDWIG DEUTSCH

Austrian

1855-1935

THE PALACE GUARD


signed and dated L. Deutsch 1900 lower left

oil on panel

59 by 42cm., 23¼ by 16½in.


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M. Newman Ltd., London

Private collection, London

Mathaf Gallery, London

Purchased from the above

Caroline Juler, Najd Collection of Orientalist Paintings, London, 1991, p. 65, catalogued & illustrated

Martina Haja & Günther Wimmer, Les Orientalistes des écoles allemandes et autrichiennes, Courbevoie, 2000, p. 204, catalogued & illustrated

Kristian Davies, The Orientalists. Western Artists in Arabia, the Sahara, Persia & India, New York, 2005, p. 238, illustrated

Powerful in overall impact, yet painstaking in detail, this work depicts a proud and richly decorated Nubian or Sudanese sentinel. He stands alert, wearing glistening gold-embroidered slippers and bearing a cluster of weapons, including an Ottoman yataghan, a jade-hilted kindjal dagger, and a flintlock pistol strapped to his waist. His Persian steel helmet and shield are perched on the floor beside him.

The entrance he guards incorporates many of the architectural elements from the Mosque of Sultan Hassan in Cairo. These are intricately observed, from the carved medallion on the left found in other works by the artist, to the muqarna — or honeycomb stalactite-like arching - in the niche above the sentinel.

Indeed, the painting bears witness to Deutsch's rigorous and highly accomplished technique. Although little is known of the artist's working methods, only a magnifying glass would have allowed the rendering of such carefully observed detail. The chain mail in the helmet, the weapons, the staff, and the weave of the Uzbeki suzani rug hung as a curtain collectively reveal the impeccable detail that often characterises Deutsch's oeuvre.  

However, it is also Deutsch’s skillful arrangement of colours and shapes, as well as his confident handling of bold colour contrasts, that give such authority to this statuesque single-figure composition. Here, he creates a fresh impact with his sonorous colour notes, especially through the juxtaposition of the complimentary colours green and red, in the form of the sentinel's head scarf and the suzani drape.