Art of Africa, Oceania, and the Americas
Art of Africa, Oceania, and the Americas
Property from the Collection of Robin Bradley Martin
Late Classic, circa AD 550 - 950
Lot Closed
May 23, 03:06 PM GMT
Estimate
20,000 - 30,000 USD
Lot Details
Description
Property from the Collection of Robin Bradley Martin
The Guennol Maya Jade Plaque of a Lord
Late Classic, circa AD 550 - 950
Height: 3 ⅜ in (8 cm)
John A. Stokes
Alastair Bradley and Edith Martin, New York, acquired from the above in 1967
By descent to the present owner
Mary Ann Durgin, “Jades Plaques”, The Guennol Collection, Vol. II, The Metropolitan Museum of Art, New York, 1982, p. 134
Carved with an imposing figure of a lord with his head turned in profile, the pendant plaque could be considered as miniature stela, as it is finely carved with important attributes found on over life size stone reliefs of rulers. The corpulent figure stands on the delicate outturned feet on the head of a witz altar/mountain, this zoomorphic head represents the first sacred mountain, and here signifies ritual space in which the figure performs and acts within. He holds his raised left hand in a gesture of ceremonial engagement and is adorned with significant clothing and jewelry relevant to Maya courtly life. His thick belt supports a head ornament on the front, suggesting the lord in the guise of a ballplayer wearing a yoke and hacha. The long apron extending below is woven in a guilloche mat design, a large horizontal bead rests on the chest, each wrist and ankle is wrapped by beaded bands and his large-eyed zoomorphic headdress tilts upward with plumes at the back. It is pierced laterally for suspension, twice on the proper left side and once on the right.
Cf. For an elaborate loincloth/apron as shown on a Maya relief, see Dumbarton Oaks limestone panel, Chancala (PC.B.537), in Alexandre Tokovinine, “Carved Panel’, in Joanne Pillsbury, Miriam Doutriaux Reiko Ishihara-Brito, Alexandre Tokovinine, eds, Ancient Maya Art at Dumbarton Oaks, Washington, D.C., 2012, p. 69.