The Mei Yun Tang Collection Of Paintings By Chang Dai-chien — From Heritage to Breakthrough
The Mei Yun Tang Collection Of Paintings By Chang Dai-chien — From Heritage to Breakthrough
梅雲堂藏張大千畫 — 不負古人告後人︳The Mei Yun Tang Collection Of Paintings By Chang Dai-chien — From Heritage to Breakthrough
Zhang Daqian (Chang Dai-chien, 1899-1983)
張大千 觀世音菩薩 | Zhang Daqian, Guanyin Bodhisattva
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December 9, 10:09 AM GMT
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10,000,000 - 20,000,000 HKD
Lot Details
Description
張大千 (1899-1983)
觀世音菩薩
設色紙本 立軸 一九四八年作
高嶺梅署簽
簽書︰觀世音菩薩。大千八哥敬造。嶺梅珍藏。
款識︰
玉豪香爇，光染菩提，縑素雲裁，丹敷蓮萼。伏以丹青寵佑，敬艁南無觀世音菩薩一區。憑斯勝因，奉資靈助，微塵幾點，滄海三生，煩障恒消，沉淪弘濟。迺至薰香無𣀇，傳鐙何窮，一切迷方，俱迴覺路。戊子年二月十九日，西蜀清信弟子張大千爰。
鈐印︰「張爰」、「大千居士」、「除壹切苦」。
116 x 65.5 cm. 45¾ x 25¾ in.
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Zhang Daqian (Chang Dai-chien, 1899-1983)
Guanyin Bodhisattva
ink and colour on paper, hanging scroll, 1948
with three seals of the artist. Titleslip by Kao Ling-mei
Inscription:
The Buddhist incense is burning. The light is shining on the Bodhisattva. The dress is made of silk of clouds. The lotus throne is coloured with vermilion. In glorification, I produced this painting of the Guanyin Bodhisattva. By means of this good intention and offering to the divine, for tiny specks of dust to the immense ocean of three lives, fret and worries would be cleared and the degenerated helped. With unceasing incense and light, all those lost will be enlightened and brought back to the awakened path. Nineteenth day of the second lunar month of the wuzi year, disciple Chang Dai-chien Yuan from Xishu (Western Sichuan).
116 x 65.5 cm. 45¾ x 25¾ in.
〈張大千畫展〉（香港，東方藝術公司，一九六四年九月），曼谷展品目錄編號73
〈張大千畫展〉（香港，東方藝術公司，一九六五年二月），合艾展品目錄編號73
〈梅雲堂藏張大千畫〉目錄，高美慶編（香港，香港中文大學文物館，一九九三年四月），圖版13
〈香港梅雲堂所藏張大千之繪畫〉目錄（東京，澀谷區立松濤美術館，一九九五年），圖版12
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Exhibition of Paintings by Chang Dai-chien, exhibition catalogue, East Art Co., Hong Kong, September 1964, Bangkok exhibit no. 73
Exhibition of Paintings by Chang Dai-chien, exhibition catalogue, East Art Co., Hong Kong, February 1965, Haadyai exhibit no. 73
The Mei Yun Tang Collection of Paintings by Chang Dai-chien, edited by Kao Mayching, The Chinese University of Hong Kong, Art Gallery, Hong Kong, April 1993, pl. 13
The Mei Yun Tang Collection of Paintings by Chang Dai-chien, Shoto Museum of Art, Japan, 1995, pl. 12
泰國，曼谷，介壽堂及京華銀行，〈張大千畫展〉，一九六四年九月十二日至二十五日
泰國，合艾，客屬會館，〈張大千畫展〉，一九六五年二月二日至八日
香港，香港中文大學文物館，〈梅雲堂藏張大千畫〉，一九九三年四月十七日至五月二十三日
日本，東京，澀谷區立松濤美術館，〈香港·梅雲堂所藏張大千之繪畫〉，一九九五年四月五日至五月二十一日
新加坡，新加坡美術館，〈梅雲堂藏張大千畫〉，一九九七年二月二十八日至四月二十七日
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Thailand, Bangkok, Kai Shou Hall & Metropolitan Bank, Exhibition of Paintings by Chang Dai-chien, 12-25 September 1964
Thailand, Haadyai, Hakkas Association Auditorium, Exhibition of Paintings by Chang Dai-chien, 2-8 February 1965
Hong Kong, The Chinese University of Hong Kong, Art Gallery, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 17 April-23 May 1993
Japan, Tokyo, Shoto Museum of Art, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 5 April-21 May 1995
Singapore, Singapore Art Museum, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 28 February-27 April 1997
註︰本幅寫於一九四八年春，乃大千寓居成都昭覺寺時，落款日期「二月十九日」，即觀音誕辰，可知乃藉節日造象，祈濟度眾生。畫中觀音呈女相，披白袍，戴寶冠，背具圓光，斜倚石半跏趺坐，手托下頷，旁置淨瓶插枝，屬其早年筆下水月觀音造型之一。與其一九三七年作同稿〈水月觀音〉相比，人物造型更添敦煌壁畫特徵，衣紋線條流暢，有曹衣出水之致，帔帛、環釧、頭冠等敷礦物顏料，開面作「三白臉」，氣息高古。畫面省略水中月影之細節，聚焦白衣大士，在靛藍背景襯托下，益顯清淨無垢，此亦畫家以含蓄手法突顯觀世音菩薩之慈悲祥和矣！
參考資料︰
一九三七年〈水月觀音〉可參見〈張大千的世界〉，傅申著（臺北，羲之堂文化出版事業有限公司，一九九八年九月），頁119
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