The Mei Yun Tang Collection Of Paintings By Chang Dai-chien — From Heritage to Breakthrough
The Mei Yun Tang Collection Of Paintings By Chang Dai-chien — From Heritage to Breakthrough
梅雲堂藏張大千畫 — 不負古人告後人︳The Mei Yun Tang Collection Of Paintings By Chang Dai-chien — From Heritage to Breakthrough
Zhang Daqian (Chang Dai-chien, 1899-1983)
張大千 白梅 | Zhang Daqian,White Plum Blossoms
Auction Closed
December 9, 10:09 AM GMT
Estimate
1,200,000 - 2,400,000 HKD
Lot Details
Description
張大千 (1899-1983)
白梅
設色紙本 立軸 一九六一年作
高嶺梅署簽
簽書：大千居士〈白梅〉。高嶺梅藏。
款識：肯作小桃紅杏色，祗餘清瘦雪霜姿。丹青從不傳搖落，一任江城五月吹。
辛丑八月摩詰山中涉事。爰。
鈐印：「張爰私印」、「千秋願」。
藏印：「嶺梅珍藏」、「高」（鈐於簽條）。
97.2 x 47 cm. 38¼ x 18½ in.
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Zhang Daqian (Chang Dai-chien, 1899-1983)
White Plum Blossoms
ink and colour on paper, hanging scroll, 1961
with two seals of the artist, and two collector’s seals, including one on titleslip. Titleslip by Kao Ling-mei
Inscription:
How could I consent to paint in light peach or crimson colour?
Only the pure and slender form in the snow is all that's left.
Paintings never depict that which wilts and falls;
Let hard blow the winds of Jiangcheng in the fifth month.
Painted in the Mogi Mountain in the eighth lunar month of the xinchou year. Yuan.
97.2 x 47 cm. 38¼ x 18½ in.
〈張大千近作展〉（香港，大會堂美術博物館，一九六二年四月），目錄編號13
〈梅雲堂藏張大千畫〉目錄，高美慶編（香港，香港中文大學文物館，一九九三年四月），圖版69
〈香港梅雲堂所藏張大千之繪畫〉目錄（東京，澀谷區立松濤美術館，一九九五年），圖版68
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Exhibition of Recent Works by Zhang Daqian, exhibition catalogue, Exhibition Gallery of the City Hall, Hong Kong, April 1962, no. 13
The Mei Yun Tang Collection of Paintings by Chang Dai-chien, edited by Kao Mayching, The Chinese University of Hong Kong, Art Gallery, Hong Kong, April 1993, pl. 69
The Mei Yun Tang Collection of Paintings by Chang Dai-chien, Shoto Museum of Art, Japan, 1995, pl. 68
香港，大會堂美術博物館，〈張大千近作展〉，一九六二年四月廿一日至五月九日
香港，香港中文大學文物館，〈梅雲堂藏張大千畫〉，一九九三年四月十七日至五月二十三日
日本，東京，澀谷區立松濤美術館，〈香港·梅雲堂所藏張大千之繪畫〉，一九九五年四月五日至五月二十一日
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Hong Kong, City Hall Art Gallery, Recent Paintings by Chang Dai-chien, 21 April-9 May 1962
Hong Kong, The Chinese University of Hong Kong, Art Gallery, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 17 April-23 May 1993
Japan, Tokyo, Shoto Museum of Art, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 5 April-21 May 1995
「畫梅須老幹如鐵，枝柯樛曲，才能描寫出它那耐寒喜潔的性格。畫枝時須先留好花的位置……如果著色，就先用細線條鈎成花瓣，拿淡花青四圍暈它，不用着粉，自然突出紙上，兼有水光月色的妙處，若用胭脂點戳，那就不必用花青烘托。畫梅第一是鈎瓣，第二是花鬚，第三是花蕊，第四是花蒂，這裡面尤其是點蒂，要算最難，正好像顧長康所説的：『傳神寫照，正在阿堵中也。』畫花鈎瓣要圓，所謂圓不是説勻整好像數珠一般，是要蓓蕾繁花，都要有生長的意態，通通完備有欣欣向榮的樣子。」
── 節錄自〈張大千畫〉
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