ROBERT FRANK | 'PARADE IN HOBOKEN, N. J.' (DIPTYCH)

The photographer to Gerald Dearing

Acquired from the above, 1980s

Negative strip:

Sarah Greenough and Philip Brookman, Robert Frank: Moving Out (Washington, D. C.: National Gallery of Art, 1994), p. 111

Sarah Greenough, Looking In: Robert Frank’s The Americans (Washington, D. C.: National Gallery of Art, 2009), Contact no. 1

Hoboken from The Americans (right frame only):

The Americans, no. 1

‘Robert Frank,’ Aperture, vol. 9, no. 1, 1961, p. 6

Willy Rotzler, 'Der Photograph Robert Frank,' Du, no. 251, January 1962, p. 16

Robert Frank, The Lines of My Hand (Tokyo, 1972), p. 56

Robert Frank (Aperture, 1976), cover

John Szarkowski, Photography Until Now (New York: The Museum of Modern Art, 1989), p. 258

Sarah Greenough and Philip Brookman, Robert Frank: Moving Out (Washington, D. C.: National Gallery of Art, 1994), p. 175

Peter Galassi, American Photography, 1890-1965 (New York: The Museum of Modern Art, 1995), p. 215

Robert Frank: Story Lines (London: Tate Modern, 2004), frontispiece 3

Sarah Greenough, Looking In: Robert Frank’s The Americans (Washington, D. C.: National Gallery of Art, 2009), cover, pp. 211 and 460

David Campany, The Open Road: Photography & The American Road Trip (Aperture, 2014), p. 45

Peter Galassi, Robert Frank: In America (Stanford: Iris & B. Gerald Cantor Center for Visual Arts, 2014), p. 107

The photographs in Lots 11 and 39 come originally from the collection of Gerald Dearing, executive producer of Frank's 1987 film Candy Mountain.