ArtCrush 2023: Art Auction to Benefit the Aspen Art Museum

ArtCrush 2023: Art Auction to Benefit the Aspen Art Museum

View full screen - View 1 of Lot 44. Charlo.

Jaune Quick-to-See Smith

Charlo

Lot Closed

August 5, 06:44 PM GMT

Estimate

30,000 - 50,000 USD

Lot Details

Description

Jaune Quick-to-See Smith

b.1940

Charlo


Pastel on paper

30 by 22 in.

76.2 by 55.9 cm.

Executed in 1985.



Please note that while this auction is hosted on Sothebys.com, it is being administered by the Aspen Art Museum, and all post-sale matters (inclusive of invoicing and property pickup/shipment) will be handled by the Aspen Art Museum. As such, Sotheby’s will share the contact details for the winning bidders with the Aspen Art Museum so that they may be in touch directly post-sale.


As such, there is no buyer's premium in this auction - all sale proceeds will go directly to the Aspen Art Museum to support its programs. Certain amounts paid above the value of the property or services provided may qualify as a tax deductible donation to the museum. Sotheby’s does not offer tax advice. Please consult your tax advisor, and for any tax related inquiries please contact bid@aspenartmuseum.org at the Aspen Art Museum.

Kindly donated by the artist and Garth Greenan Gallery, New York

Jaune Quick to See Smith (b.1940 at the St. Ignatius Indian Mission on her reservation), Jaune Quick-to-See Smith is an enrolled Salish member of the Confederated Salish and Kootenai Nation, Montana. Smith received an Associate of Arts Degree at Olympic College in Bremerton, Washington in 1960, a BA in Art Education from Framingham State College, Massachusetts in 1976, and an MA in Visual Arts from the University of New Mexico in 1980.


Smith has been creating complex abstract paintings and prints since the 1970s. Combining appropriated imagery from commercial slogans and signage, art history and personal narratives, she forges an intimate visual language to convey her insistent socio-political commentary with astounding clout. Smith’s work carries tremendous weight and yet feels light and conversational—in large part due to this forged, personal lexicon of developed imagery. As critic Gerrit Henry, (Art in America, 2001) writes: “For all the primal nature of her origins, Smith adeptly takes on contemporary American society in her paintings, drawings and prints, looking at things Native and national through bifocals of the old and the new, the sacred and the profane, the divine and the witty.” For her ability to create and integrate her own visual language in her canvases, Smith produces multi-faceted work grounded in themes of personal and political identity.


Smith has received numerous awards such as the Academy of Arts and Letters Purchase Award, New York, l987; the Joan Mitchell Foundation Painters Grant, 1996; the Women’s Caucus for the Arts Lifetime Achievement, 1997; the College Art Association Women’s Award, 2002; Governor’s Outstanding New Mexico Woman’s Award, 2005; New Mexico Governor’s Award for Excellence in the Arts, 2005. Art Table Artist Honoree, New York, 2011; Visionary Woman Award, Moore College, Pennsylvania, 2011; Elected to the National Academy of Art, New York,  2011; Living Artist of Distinction Award, Georgia O’Keeffe Museum, 2012; NAEA Ziegfeld Lecture Award, 2014; The Woodson Foundation Lifetime Achievement Award, 2015 along with four honorary doctorates: Minneapolis College of Art and Design, 1992; Pennsylvania Academy of Fine Arts, 1998; Massachusetts College of Art, 2003; University of New Mexico, Albuquerque 2009.


Smith’s work in the collections of the Cornell Fine Arts Museum, Rollins College, Winter Park, Florida; Museum of Modern Art, Quito, Ecuador; the Museum of Mankind, Vienna, Austria; The Walker Art Center, Minneapolis, Minnesota; The Smithsonian American Art Museum, Washington D.C.; the Museum of Modern Art, the Brooklyn Museum, the Metropolitan Museum of Art, and The Whitney Museum of American Art, New York.