Important Americana: Furniture and Folk Art
Important Americana: Furniture and Folk Art
Various Owners
Lot Closed
January 21, 03:40 PM GMT
Estimate
20,000 - 30,000 USD
Lot Details
Description
Various Owners
Important Chippendale Carved Mahogany Compass Seat Side Chair
Attributed to John Townsend (1733-1809)
Newport, Rhode Island
circa 1770
Height 38 in.
This side chair and its accompanying seat frame is marked II and VII respectively. A pair of chairs from this set were sold at Sotheby's, New York, Triumphant Grace: Important Americana from the Collection of Barbara and Arun Singh, January 25, 2020, lot 1083. Another chair appearing to stem from the set was sold at Sotheby Park Bernet, New York, November 18-20, 1976, lot 1004 [RIF2806]. One other formerly owned by Israel Sack, Inc. is illustrated by John Kirk in American Chairs: Queen Anne and Chippendale (New York: Alfred A. Knopf, 1972), no. 175, p. 136, [RIF1177].
Displaying serpentine crest rails with scratch-carved diaper pattern pendants, interlaced openwork splats, balloon seats with wide rails, and front cabriole legs with rounded knees and claw and ball feet, these chairs closely follow the pattern of a set of side chairs made by the Newport cabinetmaker, John Townsend (1733-1809). Two chairs numbered III and X from the Townsend set descended directly in his family until they were sold at Christie’s, Important American Furniture, Folk Art and Silver, January 19, 2018, lot 161. Two other identical chairs descended from John Townsend to his daughter Mary (Townsend) Brinley and then to her niece, Ellen F. Townsend (see The Magazine Antiques (June 1937): fig. 3, p. 308). They are now in the collection of the Newport Restoration Foundation (inv. no. 1999.537.1-.2). Two other side chairs from this set are in a private collection and illustrated in a Leigh Keno American Antiques advertisement in The Magazine Antiques for September 1996.
Similar crosshatching is found on a card table with John Townsend’s label currently in the collection of the Metropolitan Museum of Art (see Morrison Heckscher, American Furniture in The Metropolitan Museum of Art, 1985, cat. no. 100). The distinctive claw and ball feet with their elongated balls gripped by articulated talons devoid of webbing relate directly to those featured on the card table signed and dated by Townsend (see Michael Moses, Master Craftsmen of Newport: The Townsends and Goddards, fig. 3.21, p. 109).