Paul Outerbridge, Jr.

Private collection, United Kingdom

Weston Gallery, Carmel, 2005

Vanity Fair, vol. 19, no. 3, November 1922, p. 5

American Photography, July 1923, p. 417

Graham Howe, Outerbridge (Los Angeles Center for Photographic Studies, 1976), no. 374, p. 16

Graham Howe and G. Ray Hawkins, eds., Paul Outerbridge, Jr. (New York, 1980), p. 31

Elaine Dines, ed., Paul Outerbridge: A Singular Aesthetic. Photographs & Drawings 1921-1941 (Laguna Beach Museum of Art, 1981), p. 49, pl. 9

Jeannine Fiedler, Paul Outerbridge Jr. Photographs (Munich, 1993), pl. 9

Manfred Heiting, ed., Paul Outerbridge (Köln, 1999), p. 49

Paul Martineau, Paul Outerbridge: Command Performance (Los Angeles: J. Paul Getty Museum, 2009), pl. 17

Maria Morris Hambourg and Christopher Phillips, The New Vision: Photography Between the World Wars, Ford Motor Company Collection at The Metropolitan Museum of Art (New York: The Metropolitan Museum of Art, 1988), pl. 112

Robert A. Sobieszek, The Art of Persuasion: A History of Advertising Photography (New York, 1988), p. 44, pl. 18

Sarah Greenough, et al., On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography (Washington, D. C.: National Gallery of Art, 1989), p. 282, pl. 221 

Patricia Johnson, Real Fantasies: Edward Steichen's Advertising Photography (Berkeley, 1997), fig. 5.2, p. 110

An Eclectic Focus: Photographs from The Vernon Collection (Santa Barbara Museum of Art, 1999), p. 60 

Vicki Goldberg and Robert Silberman, American Photography, A Century of Images (San Francisco, 1999), p. 62

Chorus of Light: Photographs from The Sir Elton John Collection (Atlanta: High Museum of Art, 2000), p. 168 

The Radical Eye: Modernist Photography from the Sir Elton John Collection (London, 2016), p. 182