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AFTER MICHELANGELO MERISI DA CARAVAGGIO | Mary Magdalen in Ecstasy
Estimate
1,000 - 1,500 GBP
bidding is closed
Description
- After Michelangelo Merisi da Caravaggio
- Mary Magdalen in Ecstasy
- Unframed: 95 x 75 cm.; 37 3/8 x 29 1/2 in. Framed: 128.5 x 103 cm.; 50 5/8 x 40 1/2 in.
oil on canvas Caravaggio's 'Mary Magdalen in Ecstasy' is known through many copies. The canvas in a private collection in Rome is thought most likely to be the original by Caravaggio of 'circa' 1610.1 In his dramatic representation of the saint, Caravaggio has stripped away her traditional symbols such as the skull and the hourglass, and tells her story as a triad of intensely emotive contrasts: red, white and black. Mary Magdalen was the woman taken in adultery and who then grievously repented her sins of the flesh. To be saved, as Saint Paul wrote, she had first to die an agonising death to sin. 1 https://commons.wikimedia.org/wiki/File:Mary_magdalene_caravaggio.jpg
Condition
All paintings available to view at the Sotheby’s Greenford Park warehouse, 5 - 7 and 10 – 13 September (10 - 4pm), by appointment. The canvas is lined and uneven in its stretcher. There are some old damages including a restored damage at the lower right in the drapery, a small patch on her left upper thigh, and a much larger patch in the background top left. There are small losses thoughout and there is a small knock to the canvas, and associated paint loss in her neck. Inspection under UV light reveals other retouchings throughout, for example in her hands, and in the profile of her upturned face. The varnish is very discoloured and the paint surface dirty.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.