Alexandre Farto, aka Vhils

signed on a label affixed on the reverse
Executed in 2017.

This work is in very good condition. Uneven edges and delicate hanging fragments of paper are intrinsic to artist's choice medium and method of execution. Framed under Plexiglass.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Portuguese artist Alexandre Farto aka VHILS has developed a unique visual language based on the removal of the surface layers of walls and other media with non-conventional tools and techniques, establishing symbolic reflections on identity, life in the urban context, the passage of time, and the relationship of interdependence between people and the surrounding environment. Following the principle of creative destruction employed in his other mediums, Vhils subverts the classic screen printing technique by extracting images from ink-covered paper by printing with bleach. This process allows him to reveal an image from a saturated surface in the same way that he reveals an image out of a concrete wall by carving through to its concealed layers. This piece was made during his residency in Hong Kong leading up to his exhibition “Debris” with HOCA Foundation in March 2016.