Lot 61
  • 61

Ron Arad

Estimate
50,000 - 70,000 GBP
bidding is closed

Description

  • Ron Arad
  • 'All Light Long' Table, from the 'Paperwork' Collection
  • engraved with facsimile signature Ron Arad and numbered 11/20
    from an edition of 20 + 5 AP 
  • carbon fibre, Nomex honeycomb paper

Provenance

Friedman Benda, New York
Acquired from the above by the present owner

Literature

Marielle Dagault, Marie-Laure Jousset, eds, Ron Arad: No Discipline, exh. cat., Paris, 2008, p. 121

Condition

Overall very good condition. Minor loses to the transparent varnish concentrated to the bends of the table but not visually distracting. Minor fine scratches to the centre of the table. A slightly deeper scratch to one of the edges of the table 12 cm in length. Minor scattered tears to the Nomex edges of the table and are not visually distracting. Very minor chips to the edges of the table and to the edge of the base, possibly inherent in its production. Minor surface wear as visible in the printed and online catalogue.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Israeli-born Ron Arad was born in 1951 and graduated from the Architectural Association in London in 1979. He proceeded to set up his own architecture and industrial design studio, forging himself an unparalleled creative identity and a notorious challenging attitude towards art, design and architecture. Refusing to be fully assimilated with either one of the disciplines, he stated:  `I do not need a passport to go from one to the other`. His `No discipline` exhibition at the Centre Pompidou in Paris was held in 2009 and exemplifies the full panoply of his oeuvre ranging from crude re-appropriated to digitally manufactured elements.

In the ‘All Light Long’ design, Arad combines the use of Nomex honeycomb paper with layers of resin coated carbon fibre to create a table that is both light and strong in equal measure – easily lifted by two people yet able to support the weight of a car.