- 8
Anthony Frederick Augustus Sandys
Estimate
6,000 - 8,000 GBP
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Description
- Anthony Frederick Augustus Sandys
- St. Dorothy
- titled, signed and dated u.r.; St. Dorothy/ F.Sandys / 1904; inscribed within a cartouche l.l.: Her face more fair / Than sudden-singing April soft lands: / Eyed like a gracious bird.
- coloured chalk on cream paper with watercolour wash
- 40 by 30.5cm., 15¾ by 12in.
Provenance
Possibly bought from the artist by Harold Hartley in April 1904;
Sotheby's, London, 24 July 1963, lot 259 where purchased by Maas Gallery by whom sold to Anthony Crane, 3 July 1964;
Private collection
Sotheby's, London, 24 July 1963, lot 259 where purchased by Maas Gallery by whom sold to Anthony Crane, 3 July 1964;
Private collection
Exhibited
London, Maas Gallery, Pre-Raphaelites; Art Nouveau, June 1964, no.117;
Brighton Museum and Mappin Art Gallery, Sheffield, Frederick Sandys 1832-1904, 1974, no.160
Brighton Museum and Mappin Art Gallery, Sheffield, Frederick Sandys 1832-1904, 1974, no.160
Literature
Betty Elzea, Frederick Sandys - A Catalogue Raisonné, 2001, cat.no. 5.66, illustrated p.297
Condition
This drawing is in good overall condition. The paper is a little stained and there are a few areas of foxing, all of which could be removed by a professional paper restorer. The drawing is not laid down.
FRAME
The drawing is contained in a simple gilt frame with a pale blue mount (under glass).
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The model for St Dorothy was the artist's youngest daughter Gertrude, known as 'Girlie' (1886-1920) who was depicted several times by her father, including Iris (sold in these rooms, 14 July 2016, lot 12). The drawing (and two other versions) was inspired by a poem by Sandys' friend Swinburne first published in 1866. It is possible that it was this version of St Dorothy that the artist referred to in a letter to his patron Harold Hartley in April 1904; 'I like it so much myself I should like you to have it. It still has a lot to be done - all over. The dress I shall do from an old one in Kensington Museum. It will occupy me for about a week - especially to finish the roses.'