Lot 187
  • 187

Wolfgang Tillmans

Estimate
60,000 - 80,000 GBP
Log in to view results
bidding is closed

Description

  • Wolfgang Tillmans
  • Super Collider - A
  • signed and numbered 1/1 on a label affixed to the reverse
  • c-print
  • 182.9 by 152.4 cm. 72 by 60 in.
  • Executed in 2001, this work is number 1 from an edition of 1, plus 1 artist's proof.

Provenance

Maureen Paley, London
Acquired from the above by the present owner

Exhibited

Princeton, Princeton University Art Museum, Contemporary Reflections on the Celestial, November 2016 - April 2017

Literature

Exh.Cat., Hamburg, Deichtorhallen Hamburg; Turin, Museo d'Arte Contemporanea; Paris, Palais de Tokyo; Humlebæk, Louisiana Museum of Modern Art, Wolfgang Tillmans - View From Above, September 2001 - January 2002, p. 53, illustrated in colour (ed. no. unknown)

Condition

Colour: The colours in the catalogue illustration are fairly accurate. Condition: This work is in very good condition. Very close inspection reveals few minute and unobtrusive irregularities along the extreme edges of the print, which are likely to be original and in keeping with the artist's printing process.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

It is important that these are not paintings, as the eye recognizes these as photographic the association machine in the head connects them to reality, whereas a painting is always understood by the eye as mark making by the artist. This connectedness of 'evidence' as in photographic reality, and an obviously painterly process frees them from being read only as a product of the artist's hand."

WOLFGANG TILLMANS
quoted in D. Eichler, Wolfgang Tillmans: Abstract Pictures, Ostfildern, 2011, p. 24