Lot 721
  • 721

Lombard follower of Leonardo da Vinci, 16th Century

Estimate
15,000 - 25,000 USD
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Description

  • Lombard follower of Leonardo da Vinci, 16th Century
  • Salvator Mundi
  • oil on panel
  • 16 1/8 by 11 1/4 in.; 40.9 by 28.7 cm.

Provenance

With Roberts Art Gallery, Toronto (according a to a label on the reverse);
Ludwig Mond, London;
By whose Estate bequeathed to the Art Gallery of Ontario, in 1926 (acc. no. 831).

Condition

This painting is executed on a single panel which has beveling on the top and bottom edges. The panel is flat, stable, uncradled, and with an ever so slight vertical bow. Generally the painting appears to be in good condition. The only visible retouches are along Christs forehead and brow. These are isolated and do not repair any major damage. A few small scattered spots of older loss and retouching are visible around Christ's eyes, upraised hand and left chest. The picture is underneath a slightly dirty and milky varnish which is less thick around Christ's hand, possibly from an isolated cleaning test. If the isolated retouches were re-examined and a fresh varnish were applied the picture it could be hung in its current state. In a elaborately carved tabernacle frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This Salvator Mundi follows a model of Leonardo da Vinci's invention, the prime version of which was discovered only recently and exhibited at the National Gallery, London, in 2013.1  The composition was replicated by artists such as Marco d'Oggiono and Andrea Previtali and became popular throughout Italy.

1.  L. Syson et al., Leonardo da Vinci: painter at the court of Milan, exhibition catalogue, London 2011, p. 100, cat. no. 91, reproduced.

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