- 46
Marc Chagall
Estimate
900,000 - 1,200,000 USD
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Description
- Marc Chagall
- Composition
- Signed Marc Chagall (lower left); signed Marc Chagall on the reverse
- Oil on canvas
- 32 by 25 in.
- 81 by 65 cm
Provenance
Estate of the artist
Acquired in November 1999
Exhibited
Roslyn Harbor, Nassau County Museum of Art, Summer Exhibition, 2012
Condition
Excellent condition. Original canvas. The pigment is stable and fresh. Under UV, no evidence of retouching.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The present composition is a quintessential example of Chagall's mastery in assembling an array of folkloric images in a dense and colorful composition. The work contains several of the most important elements of his pictorial iconography, not least of which is the village that harkens back to the artist's own youth living in the stetl. Each figure is masterfully rendered through a matrix of intense color and spatial experimentation that epitomized Chagall's work. These elements reflect his own very personal delight in the act of artistic creation. As Susan Compton wrote in the catalogue of the Royal Academy Chagall Retrospective: "Throughout his life certain themes recur in the work of Chagall: the circus, lovers and peasants take their place beside more sombre scenes of suffering and death [...] For the themes in Chagall's art are timeless, not confined to a single epoch of history, but reminding man of the continuity of life for generation after generation, since the earliest days of recorded time" (S. Compton, Chagall, (exhibition catalogue) London, 1985, p. 14).