Vincenzo Gemito, 1852 - 1929 Buste d'un Philosophe, vers 1883

Very fine and crisp cast, very good in all details. The silver patina has been rubbed off and shows oxydation at several places, with some verdegris in the crevices, but can be easily cleaned and polished to obtain a homogenous silvered bronze surface. A few dents and old casting plugs to the edges of the pedestal. The wings in the back indicate that the bronze is probably cast directly in the Gemito foundry. Bronze which can be highly recommended.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Vincenzo Gemito choisit le visage de son père adoptif, Francesco Jadicicco, pour modèle à son Buste de Philosophe. La grande expressivité du regard, encadré par une barbe flamboyante et une chevelure à la ciselure nerveuse, associée à l'hiératisme des modèles antiques, forment un dialogue entre moderne et ancien cher au sculpteur. Ce modèle fut présenté pour la première fois au public à Paris, lors de l'Exposition Universelle de 1900.