- 517
A Large Nishapur Plate Depicting Two Seated Figures, Eastern Persia, 10th century
Description
- Earthenware
Provenance
Exhibited
Perpetual Glory, Medieval Islamic Ceramics From The Harvey B. Plotnick Collection, The Art Institute of Chicago, 2007.
Literature
O. Pancaroglu, Perpetual Glory, Medieval Islamic Ceramics From The Harvey B. Plotnick Collection, Chicago, 2007, pp.82-83, no.42.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
inscriptions
Inside, in Persian:
nush kon!
'Drink!'
Around the inner rim, repetition of two letters, possibly: laka
'For you'
This exceptional example of a "buffware" plate, probably from Nishapur, is of considerable inconographic interest. Richard Ettinghausen was the first to argue that the raffish and courtly figures depicted on "buffwares" mark the vestiges of Sasanian iconography in which wealth and power is projected through symbols of hunting, feasting and carousing. Teresa Fitzherbert added to the debate by arguing that although the pictorial forms may draw on Sassanian models, the subject matter needs to be interpreted in the context of local festivals, customs and traditions, such as that of the futuwwa, a group of select young men, usually celibate, who followed a strict code of chivalry and engaged in prescribed practices and initiation rites; one such custom was the wearing of trousers and Parthian-style boots like the figures depicted here (see T. Fitzherbert, unpublished MA dissertation in the Bodleian Library, Oxford). The couple shown appear to be male and female suggesting that, in this instance, the subject may be that of a marriage or betrothal scene.
These figural motifs and others that appear on tenth-century "buffware" have been unflatteringly, and unfairly, labelled as "folkish" due to the lively and boisterous designs which contrast so strongly to other ceramic wares from the area with their controlled colouration and empty spaces. The "buffwares" use a technique that saw green and yellow pigments applied directly to the clay body (sometimes a slip ground is used) over which a thin glaze was poured. Although Nishapur produced a large number of "buffware" pieces, other centres of production such as Merv and Afrasiyab used the same techniques (Watson 2004, pp.247-251).