- 103
Alain Jacquet
Estimate
25,000 - 35,000 EUR
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Description
- Alain Jacquet
- Le déjeuner sur l'herbe
- signé, titré et daté au dos
- encre sérigraphique sur toile
- 175 x 200 cm ; 68 15/16 x 78 3/4 in.
- Exécuté en 1964.
Provenance
Acquis directement auprès de l'artiste et transmis par descendance au propriétaire actuel
Principales collections publiques possèdant un exemplaire du Déjeuner sur l'herbe:
Bibliothèque Nationale, Paris
British Art Council of Great Britain, Londres
Fonds National d'Art Contemporain, Paris
Galerie Nationale d'Art Moderne, Rome
Moderna Museet, Stockholm
Musée d'Art Contemporain, Nice
Musée d'Art Moderne, Rio de Janeiro (détruit)
Musée d'Art et d'Histoire, Genève
Musée d'Art Contemporain du Val de Marne, Vitry sur Seine
Musée Stuky W/Lodzy, Lodz
National Gallery, Canberra
Principales collections publiques possèdant un exemplaire du Déjeuner sur l'herbe:
Bibliothèque Nationale, Paris
British Art Council of Great Britain, Londres
Fonds National d'Art Contemporain, Paris
Galerie Nationale d'Art Moderne, Rome
Moderna Museet, Stockholm
Musée d'Art Contemporain, Nice
Musée d'Art Moderne, Rio de Janeiro (détruit)
Musée d'Art et d'Histoire, Genève
Musée d'Art Contemporain du Val de Marne, Vitry sur Seine
Musée Stuky W/Lodzy, Lodz
National Gallery, Canberra
Literature
Pierre Restany, Alain Jacquet, Le déjeuner sur l'herbe 1964-1989, 25ème anniversaire, Paris, 1989 (autre exemplaire illustré sur la couverture)
Guy Scarpetta, Alain Jacquet, Camouflages 1961-1964, Paris, 2002, pp.98-99, p.147, no.81, illustré en couleurs (autre exemplaire)
Guy Scarpetta, Alain Jacquet, Camouflages 1961-1964, Paris, 2002, pp.98-99, p.147, no.81, illustré en couleurs (autre exemplaire)
Condition
The colours are fairly accurate in the catalogue illustration although the overall tonality is lighter in the original.
The work is executed on its original canvas and it is not relined.
The canvas is a bit loose.
Some slight wears and scuffs are visible overall the surface of the canvas.
Under U.V. light, there is no evidence of any retouching.
This work is in fairly good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
signed, titled and dated on the back; silkscreen ink on canvas. Executed in 1964.