Anonymous American Photographer

quarter-plate daguerreotype, sealed, cased, circa 1850

This is a remarkable interior image, made outside the controlled confines of the daguerreotypist's studio. The daguerreotypist has handled the light masterfully, and has managed to capture a plate which shows a great deal of detail. There are very few images of domestic or business interiors from photography's early decades, and the Belcher collection is remarkable for having a number (see Lots ___, and ___). The translucent paper-tape seal is likely original and is still intact. The spots that are visible in the catalogue illustration are almost exclusively due to the cover glass and are not on the plate itself. The minor edge tarnish is not obtrusive. The leather case is separated at the hinge.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

It is very unusual to see an interior daguerreotype made beyond the confines of a daguerreotypist's studio. Principle among the impediments to such an endeavor was the lack of controlled lighting, in addition to the logistical difficulties of transporting the necessary equipment and materials. It is rarer to see a daguerreotype of tradesmen within their place of employment.  In the quarter-plate offered here, the daguerreotypist has captured the interior of a dry-goods store in which bolts of cloth, hats, notions, and other less identifiable wares can be seen behind the chief shopkeeper, who cuts a bolt of cloth with a large pair of shears while regarding the camera soberly.